For much of the late 19th and early 20th centuries, Black Americans overwhelmingly identified with the Republican Party. The loyalty was not symbolic—it was earned. The Republicans were the party of Abraham Lincoln, Emancipation, Reconstruction, and constitutional amendments that ended slavery and expanded citizenship. Black political leaders like Hiram Revels and Blanche K. Bruce, both U.S. senators from Mississippi during Reconstruction, emerged directly from this tradition. So did Frederick Douglass, who consistently argued that Black freedom and political participation were inseparable from the Republican Party’s founding principles.
But by the 1920s and 1930s, that relationship had begun to fracture.
After the end of Reconstruction, Republicans increasingly retreated from enforcing civil rights in the South. Jim Crow segregation, voter suppression, lynching, and economic exploitation flourished with little federal intervention. While Black voters remained loyal out of historical memory, the party that once fought for them offered fewer tangible protections as the decades passed.
The turning point came during the Great Depression. Black communities were hit especially hard by unemployment, housing insecurity, and hunger. When Franklin D. Roosevelt introduced the New Deal in the 1930s, the Democratic Party—long associated with Southern segregationists—unexpectedly became the party offering direct economic relief. Programs such as the Works Progress Administration (WPA), Civilian Conservation Corps (CCC), and Social Security (even with its exclusions) provided jobs and aid that many Black families had never received from the federal government.
Black voters noticed.
While Roosevelt never…
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By Jonas BronckI am honored to accept the endorsement of the Bronx Conservative Party as a candidate for the United States Congress in New York’s 15th Congressional District.
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New York State Comptroller Thomas P. DiNapoli is reminding New Yorkers on National Unclaimed Property Day that they may have money waiting for them, and it only takes a few minutes to check osc.ny.gov/unclaimed-funds.
Unclaimed Property Day is a national initiative to help raise awareness about forgotten funds and help reunite people with their money. In 2025 alone, the Comptroller’s office returned more than $580 million dollars to rightful owners, including creating a new fast-track program that sends checks in the mail with no claim form required.
“Spend a few minutes on Unclaimed Property Day checking for your lost money,” said DiNapoli. “It is free, easy, and the money is yours. Lost funds can come from an uncashed check, an unused gift card or a forgotten refund, even small amounts can add up.”
Unclaimed funds occur when people forget about or lose track of their money. These funds can come from utility deposits, trust funds, old bank accounts, uncashed checks or unused gift cards. These funds never expire, and it is quick and easy to check the website.
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Super Bowl Sunday is supposed to be about football, family, and a halftime show that brings Americans together. Instead, viewers of Super Bowl LX at Levi’s Stadium were treated to what many are now calling one of the most vulgar and divisive halftime performances in National Football League history.
Headlined by Bad Bunny, the show leaned heavily into sexually explicit reggaeton lyrics, aggressive choreography, and overt cultural messaging that critics argue clashed with the tone of a family oriented national broadcast.
For millions of Americans gathered around their televisions, the performance was not unity. It was shock value.
Repulsive Lyrics On A National Stage
The set list featured some of the artist’s most repulsive tracks, including:
• SaFaeRa
• Tití Me Preguntó
• Yo Perreo Sola
• El Apagón
These songs are widely known for graphic sexual themes, explicit boasting, and crude lyrical imagery. While that style may be common within certain segments of the music industry, many viewers questioned whether it belonged in the middle of America’s largest sporting event.
The themes are unmistakable: sexual conquest, explicit innuendo, and aggressive bravado. There was little restraint and even less effort to adapt the material for a broad, cross generational audience.
Parents expecting a neutral halftime spectacle instead found themselves reacting to provocative dance moves and lyrics many consider inappropriate for prime time broadcast television.



































