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- Alexis Silveira-Plaza – Borough of Manhattan Community College;
- Arielle Blair – LaGuardia Community College;
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- Carlyne Torres – Kingsborough Community College;
- Daelani Quezada – Westchester Community…
Today, The Kaplan Educational Foundation (KEF), a nonprofit that helps high-potential, low-income students with academic and financial support, welcomes 12 new scholars into its Kaplan Leadership Program (KLP).
Established in 2006, the Kaplan Leadership Program helps overlooked and underserved community college students complete their associate degree and successfully transfer and go on to earn a four-year bachelor’s degree at the nation’s most highly-selective schools. The program provides stipends for living expenses, extensive tutoring, academic advisement services, leadership and career training, and other resources and support to help them expand their personal goals, and eventually attain leadership roles in their professions and communities.
Among the 12 scholars selected for the Kaplan Educational Foundation’s 2026-2027 cohort is Arrin Shepp, a Bronx resident and Bronx Community College student. A first-generation college student, Shepp was inspired by the underrepresentation of Black students in STEM fields to pursue advanced study in Computer Science, Computer Engineering, or Artificial Intelligence and Cybersecurity, with a mission to increase representation in STEM and create lasting technological impact.
The newly accepted Kaplan Leadership Program Scholars for the 2026-2027 Academic Year are:
- Alan Grisales – Hudson County Community College;
- Alexis Silveira-Plaza – Borough of Manhattan Community College;
- Arielle Blair – LaGuardia Community College;
- Briseyda Rios – Borough of Manhattan Community College;
- Carlyne Torres – Kingsborough Community College;
- Daelani Quezada – Westchester Community…
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By Jonas BronckDrill music is loud, dark, unapologetic, and enormously influential. For millions of young listeners, it is more than another style of hip-hop. Drill can be entertainment, storytelling, identity, and, in some communities, a musical account of what young people see happening outside their doors. The concern begins when stories about shootings, gangs, enemies, and retaliation become intertwined with popularity, social media attention, and success.
According to Pitchfork, drill emerged from Chicago in the early 2010s, with teenage rapper Chief Keef becoming one of the movement’s defining figures. His 2012 song “I Don’t Like” helped propel drill into mainstream hip-hop while he was still a teenager. The genre became known for menacing production, hard drums, and lyrics that frequently addressed violence and gang-dominated street life.
Drill did not remain in Chicago. It traveled. According to PBS, YouTube played an important role in helping Chicago artists reach audiences outside their neighborhoods, allowing young rappers to distribute music depicting gang life and problems affecting their communities. The sound eventually developed major scenes in places including London and New York, where Brooklyn drill became an important part of the city’s modern hip-hop identity.
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Today, Mayor Zohran Mamdani announced major progress in the administration’s work to make it easier and less expensive to open and operate a small business in New York City. Since the start of the administration, the Department of Small Business Services (SBS) has helped more than 3,000 small businesses obtain licenses and navigate licensing and permitting — including 97 businesses opening their doors for the first time.
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Deputy Mayor for Economic Justice Julie Su and SBS Commissioner Kenny Minaya recently convened the first quarterly meeting of City agencies under Executive Order 18, which Mayor Mamdani signed to speed up licensing and permitting reforms and improve how City agencies work with small business owners.
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Drill music is loud, dark, unapologetic, and enormously influential. For millions of young listeners, it is more than another style of hip-hop. Drill can be entertainment, storytelling, identity, and, in some communities, a musical account of what young people see happening outside their doors. The concern begins when stories about shootings, gangs, enemies, and retaliation become intertwined with popularity, social media attention, and success.
According to Pitchfork, drill emerged from Chicago in the early 2010s, with teenage rapper Chief Keef becoming one of the movement’s defining figures. His 2012 song “I Don’t Like” helped propel drill into mainstream hip-hop while he was still a teenager. The genre became known for menacing production, hard drums, and lyrics that frequently addressed violence and gang-dominated street life.
Drill did not remain in Chicago. It traveled. According to PBS, YouTube played an important role in helping Chicago artists reach audiences outside their neighborhoods, allowing young rappers to distribute music depicting gang life and problems affecting their communities. The sound eventually developed major scenes in places including London and New York, where Brooklyn drill became an important part of the city’s modern hip-hop identity.
The impact on young people, however, is more complicated than simply declaring drill music dangerous. According to research published in Urban Education, drill can function as a form of expression for Black youth. Researchers Kelly R. Allen, Ian Levy, and Edmund Adjapong found that drill could provide opportunities for communalism, emotional expression, and self-empowerment….



































