The Bronx Council on the Arts (BCA) presents the sixth BRIO Retrospective opening on Wednesday, February 11, 2026, from 6:00 p.m. – 8:00 p.m. at the Bronx River Art Center (BRAC), 1087 E. Tremont Avenue, Bronx, NY 10460.
This exhibition highlights a selection of 2021–2025 Bronx Recognizes Its Own (BRIO) awardees working in the visual arts and features the work of 10 Bronx artists: Juan Butten, Esteban Guerra, Shelley Haven, Jessica Lagunas, E. Lombardo, Tijay Mohammed, Abigail Montes, Amy Pryor, Shellyne Rodriguez, and Misra Walker.
The BRIO Award affirms the essential role Bronx artists play in shaping the borough’s cultural life. A long-standing BCA initiative that honors the artistic excellence of Bronx-based artists, BRIO provides public recognition, as well as direct financial support through a $5,000 unrestricted grant to artists working across a wide range of disciplines.
BCA’s Longwood Art Gallery presents the 2021–2025 BRIO Retrospective at Bronx River Art Center (BRAC) through an expanded curatorial approach that engages sister organizations in the Bronx and beyond. This exhibition brings together artists engaging pressing social, racial,
environmental, and identity-based issues whose work reflects the breadth of contemporary
artistic practice in the Bronx across mixed media, etching, painting, photography, installation,
and textile.
The 2021–2025 BRIO Retrospective expands opportunities for artists to present…
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New York State Comptroller Thomas P. DiNapoli is reminding New Yorkers on National Unclaimed Property Day that they may have money waiting for them, and it only takes a few minutes to check osc.ny.gov/unclaimed-funds.
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“Spend a few minutes on Unclaimed Property Day checking for your lost money,” said DiNapoli. “It is free, easy, and the money is yours. Lost funds can come from an uncashed check, an unused gift card or a forgotten refund, even small amounts can add up.”
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Super Bowl Sunday is supposed to be about football, family, and a halftime show that brings Americans together. Instead, viewers of Super Bowl LX at Levi’s Stadium were treated to what many are now calling one of the most vulgar and divisive halftime performances in National Football League history.
Headlined by Bad Bunny, the show leaned heavily into sexually explicit reggaeton lyrics, aggressive choreography, and overt cultural messaging that critics argue clashed with the tone of a family oriented national broadcast.
For millions of Americans gathered around their televisions, the performance was not unity. It was shock value.
Repulsive Lyrics On A National Stage
The set list featured some of the artist’s most repulsive tracks, including:
• SaFaeRa
• Tití Me Preguntó
• Yo Perreo Sola
• El Apagón
These songs are widely known for graphic sexual themes, explicit boasting, and crude lyrical imagery. While that style may be common within certain segments of the music industry, many viewers questioned whether it belonged in the middle of America’s largest sporting event.
The themes are unmistakable: sexual conquest, explicit innuendo, and aggressive bravado. There was little restraint and even less effort to adapt the material for a broad, cross generational audience.
Parents expecting a neutral halftime spectacle instead found themselves reacting to provocative dance moves and lyrics many consider inappropriate for prime time broadcast television.


































